Contrary to some of the fingerings which are marked in the publication however, I would recommend chromatic fingering where possible (i.e. one finger to one fret) to avoid so many awkward finger changes.

The four pieces, Answer my Question, Swing for Two, Ragtime fur Rainer, and Mandolin-Blues, all contain fairly precise stroking symbols, opting for 2:1 alternate stroke (that is 2 strings downstroke and 1 string on the upstroke). To achieve this sound it is important to ensure we have our plectrum in the correct position in what we call the angle and slant procedure. For more details on this, please see the article in the May 2007 issue of the LGMA Newsletter by Eddie Smith on "The Downstroke".

The pieces are marked clearly for structure with first and second time bars or dal segno al fine markings in each piece, however dynamically there is nothing there for us. When playing these pieces it is important to add our own interpretation to them, as it could get a little boring for the listener if there is no dynamic interest. Think about also adding sound colours such as metallico or tastiera to highlight specific themes or to bring out the upbeats, which are used extensively throughout this publication.

Schindler carefully indicates many rests throughout the pieces, especially in Answer my Question, and these should be observed as the gaps in sound are just as important as the notes we play to create the correct 'bouncy' sound we would expect from these pieces.

Overall, Blues Swing Ragtime is a nice collection of pieces, which provide enjoyment to improving players, but are also easy listening for all audiences. A recommended buy for only around €5.